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Audiometric Test Methods (ISO 8253-1 and -2)

Standards: ISO 8253

An audiogram is a set of hearing threshold levels, and each of them rests on three things the audiometer does not show: a room quiet enough not to mask the faintest tone, a rule that turns a series of “heard” and “not heard” into one number, and an uncertainty that says how far that number can be trusted. ISO 8253-1 sets all three out for earphones and bone vibrators, and ISO 8253-2 adds what a loudspeaker needs: a room whose sound field is known.

Is the room quiet enough? (ISO 8253-1 Clause 11)

Section titled “Is the room quiet enough? (ISO 8253-1 Clause 11)”

The ambient noise must not mask the lowest test tone. Tables 2 and 4 give the maximum permissible ambient sound pressure level in each one-third-octave band from 31.5 Hz to 8 kHz, for air conduction with typical supra-aural earphones and for bone conduction, and for the lowest frequency the audiometry tests: 125 Hz, 250 Hz or, with earphones, 500 Hz. They hold for hearing threshold levels down to 0 dB with at most +2 dB of threshold shift from the noise. Three things move them (11.1 and the NOTEs to the tables):

an earphone that excludes more noise than the supra-aural one allows the difference of the two attenuations in Table 3; a lowest hearing threshold level other than 0 dB is added band by band; and accepting a threshold shift of +5 dB instead of +2 dB adds = 8 dB.

import numpy as np
from phonometry import hearing
# One-third-octave ambient levels of a single-walled booth, 31.5 Hz to 8 kHz.
booth = [50, 48, 45, 43, 40, 36, 30, 24, 19, 16, 14, 12, 11,
10, 10, 10, 9, 9, 9, 8, 8, 8, 8, 8, 8]
supra_aural = hearing.check_audiometric_ambient_noise(booth)
print(supra_aural.passes) # False
print(supra_aural.frequencies[~supra_aural.within]) # [ 63. 80. 100. 125. 160.]
print(supra_aural.lowest_measurable_hearing_level_db) # 3.0
# The same booth with insert earphones (Table 3: about 33 dB at low frequency).
insert = hearing.check_audiometric_ambient_noise(booth, earphone="ER-3A")
print(insert.passes) # True
print(hearing.ambient_noise_limits("air", earphone="ER-3A")[15]) # 45.0 at 1 kHz

The booth’s ventilation leaves too much at 63 Hz to 160 Hz for supra-aural earphones, by up to 3 dB at 100 Hz, so with them it can only measure down to a hearing level of 3 dB: the lowest level the rule of 11.1 allows this room. ISO 8253-1 asks no report to state it; ISO 8253-2 11.1 f) asks a sound field report to state the same figure when it is not 0 dB. Insert earphones exclude that noise, and the same room qualifies. Another earphone enters with its own attenuation per band, earphone_attenuation_db=.

Two panels of the same booth's one-third-octave ambient spectrum from 31.5 Hz to 8 kHz, falling from 50 dB at 31.5 Hz to about 8 dB above 2 kHz, drawn against the maximum permissible level for air conduction audiometry from 125 Hz. Left, with supra-aural earphones: the limit falls from 56 dB to 18 dB between 31.5 Hz and 500 Hz and rises to 36 dB at 4 kHz, and the spectrum crosses it at 63, 80, 100, 125 and 160 Hz, each marked with a cross; the room does not qualify. Right, with ER-3A insert earphones: the limit is raised by the difference in attenuation, to between 37 dB and 89 dB, and the spectrum stays well under it everywhere; the room qualifiesTwo panels of the same booth's one-third-octave ambient spectrum from 31.5 Hz to 8 kHz, falling from 50 dB at 31.5 Hz to about 8 dB above 2 kHz, drawn against the maximum permissible level for air conduction audiometry from 125 Hz. Left, with supra-aural earphones: the limit falls from 56 dB to 18 dB between 31.5 Hz and 500 Hz and rises to 36 dB at 4 kHz, and the spectrum crosses it at 63, 80, 100, 125 and 160 Hz, each marked with a cross; the room does not qualify. Right, with ER-3A insert earphones: the limit is raised by the difference in attenuation, to between 37 dB and 89 dB, and the spectrum stays well under it everywhere; the room qualifies

One booth, two earphones. The limits of Table 2 are what a supra-aural earphone lets through; an insert earphone excludes about 30 dB more below 500 Hz, and Table 3 turns that into room.

Show the code for this figure
import matplotlib.pyplot as plt
fig, (left, right) = plt.subplots(1, 2, figsize=(13.5, 5.6), sharey=True)
supra_aural.plot(left) # limits, measured spectrum, crosses where it exceeds
insert.plot(right)
plt.show()

Bone conduction leaves both ears open, so no earphone shelters them and Table 4 is stricter than Table 2 by 10 dB at 500 Hz and by 34 dB at 4 kHz; NOTE 2 to it warns that levels under 5 dB are hard to measure with most sound level meters. The same booth, for bone conduction from 250 Hz, allows only a lowest hearing level of 6 dB, set by the 4 kHz band:

bone = hearing.check_audiometric_ambient_noise(
booth, presentation="bone", lowest_test_frequency_hz=250
)
print(bone.passes, bone.lowest_measurable_hearing_level_db) # False 6.0
print(bone.frequencies[np.argmax(bone.exceedance_db)]) # 4000.0
# Measuring only down to 10 dB raises every limit by 10 dB (11.1).
print(hearing.check_audiometric_ambient_noise(
booth, presentation="bone", lowest_test_frequency_hz=250,
lowest_hearing_level_db=10.0,
).passes) # True

A measurement that leaves bands out is judged on those it has and does not pass: the room is not shown to meet the bands nobody measured. noise_floor_db= flags the bands where the reading is within 6 dB of the meter’s own floor, which 11.1 forbids; such a reading overstates the room, so a band within its limit still is, and one over it may be the meter’s.

From responses to a threshold (6.2 to 7.5)

Section titled “From responses to a threshold (6.2 to 7.5)”

Every method ends in a rule, and each rule has its own test of reliability: a spread of more than 10 dB between the levels it combines.

The first tone sits 10 dB below the lowest level the subject answered during familiarization; after no response the level rises 5 dB, after a response it drops 10 dB. An ascent is a run of rising tones that ends in a response, and the series stops when three ascents end at one level, out of at most five. The hearing threshold level is the lowest level at which responses occur in more than half of the ascents:

series = hearing.ascending_method_threshold(
presentation_levels_db=[30, 20, 25, 15, 20, 25, 15, 20, 10, 15, 20, 25],
responses=[1, 0, 1, 0, 0, 1, 0, 1, 0, 0, 0, 1],
familiarization_level_db=40.0,
)
print(series.ascent_levels_db) # [25. 25. 20. 25.]
print(series.threshold_db) # 25.0
print(series.doubtful) # False: the ascents span 5 dB, not over 10 dB
# Replayed as it happens, the same rule says what to present next.
print(hearing.ascending_method_threshold(
presentation_levels_db=[30, 20], responses=[True, False],
familiarization_level_db=40.0,
).next_level_db) # 25.0

The sequence is checked against the steps of 6.2.3.2, and a tone that breaks them is refused with its position, which is what lets the function supply the next level to a computer-controlled audiometer (6.4): call it with the presentations so far and present next_level_db. The first tone, heard at once, is not an ascent: no tone rose to it. After five ascents without three at one level the series is exhausted and the next starts 10 dB above the last response. The response levels of the ascents can go in alone, and shortened=True applies the version that stops at two responses out of three ascents. 6.2.3.2 does not say what follows a shortened series that ends its three ascents without two responses at one level; the library continues it with the full method, a new call on the same presentations with shortened=False.

Ascents and descents alternate in 5 dB steps. The lowest response levels of the ascents are averaged, those of the descents are averaged, and the mean of the two averages, rounded to the nearest 5 dB step, is the threshold. A mean halfway between two steps goes to the higher one, the library’s reading of “nearest” wherever a standard leaves the tie open:

bracket = hearing.bracketing_method_threshold([30, 30, 35], [30, 35, 35])
print(bracket.mean_db, bracket.threshold_db) # 32.5 35.0
print(bracket.complete, bracket.repeat_advised) # True False

Three ascents and three descents make a complete series; two of each suffice when their four levels are within 5 dB of each other.

The subject holds the level down while the tone is heard and lets it rise when it is not, and the tracing zigzags about the threshold. The first reversal after a change of frequency is ignored, and so are both reversals of any excursion of 3 dB or less; the peaks and the valleys are averaged separately, and the mean of the two averages, rounded up to the next whole decibel, is the threshold:

tracing = hearing.automatic_audiometry_threshold(
[38, 22, 31, 21, 32, 20, 30, 29, 31, 19, 30, 20, 31, 21]
)
print(tracing.peaks_db) # [31. 32. 30. 31.]
print(tracing.valleys_db) # [22. 21. 20. 19. 20. 21.]
print(tracing.mean_db, tracing.threshold_db) # 25.75 26.0

The recording is of doubtful reliability when the peaks or the valleys spread over more than 10 dB or fewer than six reversals remain. NOTE 2 to 6.3.5 puts automatic thresholds 3 dB below manual ones on average, a property of the method this function does not correct.

Left: twelve presentations of the ascending method as a staircase of hearing level against presentation number, starting at 30 dB, heard tones drawn filled and missed ones open, and the four ascents' ends ringed at 25, 25, 20 and 25 dB; a dashed line marks the threshold of 25 dB. Right: an automatic recording as fourteen reversals zigzagging between about 20 dB and 32 dB, the first reversal and three around a 1 dB wobble drawn grey as ignored, dotted lines at the mean of the peaks, 31 dB, and of the valleys, 20.5 dB, and a dashed line at the threshold of 26 dBLeft: twelve presentations of the ascending method as a staircase of hearing level against presentation number, starting at 30 dB, heard tones drawn filled and missed ones open, and the four ascents' ends ringed at 25, 25, 20 and 25 dB; a dashed line marks the threshold of 25 dB. Right: an automatic recording as fourteen reversals zigzagging between about 20 dB and 32 dB, the first reversal and three around a 1 dB wobble drawn grey as ignored, dotted lines at the mean of the peaks, 31 dB, and of the valleys, 20.5 dB, and a dashed line at the threshold of 26 dB

Left, the ascending method: three of the four ascents end at 25 dB, which is more than half. Right, automatic recording: the peaks average 31 dB and the valleys 20.5 dB, and the mean of 25.75 dB is rounded up.

Show the code for this figure
fig, (left, right) = plt.subplots(1, 2, figsize=(13.5, 5.6))
series.plot(left) # the staircase, heard and missed, ascents ringed
tracing.plot(right) # the tracing, its ignored reversals and the averages
plt.show()

The frequency sweeps, normally at 0.5 to 2 octaves per minute, while the subject tracks the threshold. At a specified frequency the three peaks and the three valleys closest to it are averaged, closest on the logarithmic axis the sweep runs on, and the mean is rounded to the nearest decibel. Run along the tracing, six consecutive reversals give the threshold at the geometric mean of their frequencies:

reversal_frequencies = np.geomspace(500.0, 4000.0, 18)
reversal_levels = [34, 24, 33, 23, 35, 25, 36, 24, 38, 27, 40, 29,
43, 31, 46, 34, 48, 37]
sweep = hearing.sweep_audiometry_threshold(reversal_frequencies, reversal_levels)
print(sweep.frequencies) # [ 500. 750. 1000. 1500. 2000. 3000. 4000.]
print(sweep.threshold_db) # [29. 29. 30. 32. 36. 40. 40.]
print(np.round(sweep.running_frequencies[:2])) # [679. 767.]

The repeat at 1 kHz and the cautions (6.2.3.2, 8.4)

Section titled “The repeat at 1 kHz and the cautions (6.2.3.2, 8.4)”

Three more rules judge the levels once they are found. When every frequency of the first ear is done, Step 3 of 6.2.3.2 repeats the measurement at 1 kHz: an agreement to 5 dB or less moves the test to the other ear, and an improvement or a worsening of 10 dB or more sends it back to retest the further frequencies, in the same order, until the agreement returns. A hearing level of 40 dB or more in either ear calls for caution because the tone may be heard by the other ear, and contralateral masking can then be necessary (6.2.3.2). And a bone vibrator on the mastoid is felt, on average, at a hearing level of about 40 dB at 250 Hz, 60 dB at 500 Hz and 70 dB at 1 kHz (8.4, about 10 dB lower when the audiometer is calibrated for the forehead), so a bone-conduction response there may be touch rather than hearing:

repeat = hearing.check_retest_agreement(25.0, 35.0) # first and repeat at 1 kHz
print(repeat.passes, repeat.retest_further_frequencies) # False True
cautions = hearing.audiogram_cautions(
[250, 500, 1000, 2000, 4000],
air_conduction_db=[20, 25, 30, 45, 55],
bone_conduction_db=[40, 20, 25, 40, 50],
)
print(cautions.cross_hearing) # [False False False True True]
print(cautions.vibrotactile) # [ True False False False False]

The text is written for the 5 dB steps of a manual audiometer, where a repeat either agrees to 5 dB or differs by 10 dB. A finer control can give 7 dB, which is not agreement, and for which Step 3 names no action; the check then neither passes nor asks for the retest. 8.4 gives levels at three frequencies only and warns that individuals vary widely about them, so a flag there is a reason to look again, not a verdict; bone conduction gets no cross-hearing flag, because 8.1 already asks for the other ear to be masked at every level. cautions.plot() draws the audiogram with the flagged levels crossed.

Annex A models the hearing threshold level as the determined value plus seven zero-mean input quantities, for the audiometer, the transducer and its fitting, the ambient noise, the masking, the tester, the subject and an unusually difficult measurement. None is correlated with another and each has a sensitivity coefficient of 1, so

and A.3 gives typical values: 2.5 dB for repeated air-conduction determinations up to 4 kHz, the audiometer’s ±3 dB and its 5 dB steps as two rectangular distributions, = 2.9 dB for the transducer, and 2 dB for a room that meets Clause 11. That is the example of Table A.2:

budget = hearing.audiometric_uncertainty(1000.0)
print(np.round(budget.components_db[:4], 1)) # [2.5 2.3 2.9 2. ]
print(round(budget.combined_db, 1), round(budget.expanded_db)) # 4.9 10
# Bone conduction above 4 kHz with masking noise: every component grows.
masked_bone = hearing.audiometric_uncertainty(6000.0, conduction="bone", masked=True)
print(round(masked_bone.expanded_db, 1)) # 15.3

An expanded uncertainty of 10 dB is two audiometer steps either way, which is what a single audiogram can claim. environment_db= replaces the 2 dB of A.3.5 for a room that exceeds Clause 11, or drops it for thresholds well above 0 dB, and tester_db=, subject_db= and special_db= carry the exceptional components of A.3.7 to A.3.9; budget.plot() draws the eight as bars.

With loudspeakers the room is part of the instrument, so ISO 8253-2 qualifies it, with the subject and the chair absent and the audiometry’s own signals, as one of three fields:

  • a free field (5.2): the loudspeaker at least 1 m away, the level 0.15 m to the left, right, above and below the reference point within ±1 dB of the level at it up to 4 kHz and ±2 dB above, the ear-side positions within 3 dB of each other above 4 kHz, and the points 0.15 m in front of and behind it on the loudspeaker’s axis within ±1 dB of the inverse distance law, . Only an anechoic room meets it, and pure tones need it (4.2);
  • a quasi-free field (5.4): the same with ±2 dB at the lateral positions and the axial points 0.10 m out. Its usable frequency range is the range where the requirements hold;
  • a diffuse field (5.3): six positions 0.15 m out within ±2.5 dB and the ear sides within 3 dB, and from 500 Hz up the levels a directional microphone reads in the directions of the most and the least incident energy within the variation Table 1 allows for its front-to-random index: 5 dB for an index of 5 dB or more, 4.5 dB for 4.5 dB, 4 dB for 4 dB.
# A treated room, the loudspeaker 1.2 m away: deviations from the level at
# the reference point, 125 Hz to 8 kHz, at the four lateral positions.
lateral = {
"left": [2.6, -2.2, 0.8, 0.6, -0.4, 0.5, 0.9, -0.7, 1.2, -1.1, 1.4],
"right": [-2.4, 1.9, -0.6, 0.3, 0.7, -0.8, 0.4, 1.1, -1.3, 1.5, -0.9],
"up": [1.2, 2.3, 0.5, -0.9, 0.2, 0.6, -0.5, 0.8, 0.4, -1.2, 1.6],
"down": [-1.5, -1.8, -0.9, 0.4, -0.6, -0.3, 0.7, -0.4, -0.8, 0.9, -1.7],
}
law = 20 * np.log10(1.3 / 1.1) # the axial difference at 0.10 m, 1.45 dB
front = law + np.array([1.8, 1.2, 0.4, -0.3, 0.2, -0.4, 0.3, 0.5, -0.2, 0.6, -0.5])
quasi = hearing.check_quasi_free_sound_field(
lateral, np.zeros(11), front_levels_db=front, back_levels_db=np.zeros(11),
loudspeaker_distance_m=1.2,
)
print(quasi.passes) # False: the room's modes spoil 125 Hz and 250 Hz
print(quasi.usable_frequencies) # [ 500. 750. 1000. 1500. 2000. 3000. 4000. 6000. 8000.]
# Four loudspeakers with uncorrelated narrow bands of noise: the six positions,
# and a directional microphone of index 5 dB read in two directions.
six = {
"front": [1.4, 0.9, 0.6, -0.8, 0.5, 1.1, -0.4, 0.7, -0.6, 0.9, 1.2],
"back": [-1.2, -0.6, 0.8, 0.5, -0.9, -0.7, 0.6, -0.5, 0.8, -1.0, -0.8],
"left": [0.8, 1.3, -0.5, 0.9, 0.4, -0.6, 1.0, 0.6, -0.9, 0.5, 1.4],
"right": [-0.9, -1.1, 0.7, -0.4, -0.8, 0.9, -0.7, -0.8, 0.7, -0.6, -1.1],
"up": [2.1, 1.6, -1.1, 0.6, 1.2, -0.9, 0.8, -1.2, 0.5, 1.3, -0.7],
"down": [-1.8, -1.4, 0.9, -1.0, -0.5, 0.8, -1.1, 0.9, -0.4, -0.9, 0.6],
}
readings = np.zeros((2, 11))
readings[1] = [np.nan, np.nan, 3.1, 2.7, 3.4, 2.9, 3.8, 3.2, 3.6, 4.1, 4.3]
diffuse = hearing.check_diffuse_sound_field(
six, np.zeros(11), directional_levels_db=readings, front_to_random_index_db=5.0
)
print(diffuse.passes) # True

The directional test of 5.3 b) is a requirement, not an extra: without the readings, diffuse.directionality_judged is false and so is passes, while uniform and balanced still give the verdict of a) band by band. A microphone of index 4 dB would allow only 4 dB and fail the 6 kHz and 8 kHz bands of the same readings. The sound-field room also has its own ambient limits, ISO 8253-2 Table 2 up to 12.5 kHz, derived from ISO 8253-1 for binaural listening (footnote a); laid side by side, they are its bone-conduction limits less 3 dB: check_audiometric_ambient_noise(levels, presentation="sound field"). With narrow bands of noise as the test signal, as in this diffuse field, footnote b asks for lower limits than the table’s and prints no figure, so a room that passes the check may still be too loud for them.

Two panels against frequency from 125 Hz to 8 kHz. Left, a quasi-free field: the largest lateral deviation falls from 2.6 dB at 125 Hz and 2.3 dB at 250 Hz, both crossed as outside the field, to within plus or minus 2 dB from 500 Hz up, between dashed tolerance lines at plus and minus 2 dB; the axial deviation from the inverse distance law falls from 1.8 dB at 125 Hz and 1.2 dB at 250 Hz, both crossed too, to within the dotted plus or minus 1 dB lines from 500 Hz; the title reads usable from 500 Hz to 8000 Hz. Right, a diffuse field: the largest deviation of the six positions stays within plus or minus 2.5 dB, the right-left difference under 3 dB, and the directional variation from 500 Hz between 2.7 dB and 4.3 dB, under the Table 1 limit of 5 dB drawn as dashes; the title reads qualifiesTwo panels against frequency from 125 Hz to 8 kHz. Left, a quasi-free field: the largest lateral deviation falls from 2.6 dB at 125 Hz and 2.3 dB at 250 Hz, both crossed as outside the field, to within plus or minus 2 dB from 500 Hz up, between dashed tolerance lines at plus and minus 2 dB; the axial deviation from the inverse distance law falls from 1.8 dB at 125 Hz and 1.2 dB at 250 Hz, both crossed too, to within the dotted plus or minus 1 dB lines from 500 Hz; the title reads usable from 500 Hz to 8000 Hz. Right, a diffuse field: the largest deviation of the six positions stays within plus or minus 2.5 dB, the right-left difference under 3 dB, and the directional variation from 500 Hz between 2.7 dB and 4.3 dB, under the Table 1 limit of 5 dB drawn as dashes; the title reads qualifies

Left, 5.4: the usable frequency range of a quasi-free field is where it meets its requirements, here 500 Hz to 8 kHz. Right, 5.3: a diffuse field made of four loudspeakers, qualified with a directional microphone of index 5 dB.

Show the code for this figure
fig, (left, right) = plt.subplots(1, 2, figsize=(13.5, 5.6))
quasi.plot(left) # lateral and axial deviations, bands outside crossed
diffuse.plot(right) # positions, ear sides and directional variation
plt.show()

No standardized reference threshold exists for a loudspeaker away from 0° (4.8, NOTE 1). Annex B prints how much higher the level is at the ear nearer the loudspeaker at 45° and 90°, rounded to 0.5 dB, which is what a report can state beside an off-axis threshold:

print(hearing.incidence_correction([500, 1000, 4000], incidence_angle_deg=90))
# [ 4.5 5.5 -0.5]

The paragraph above Table B.1 announces it from 200 Hz; the table prints rows from 125 Hz, and the library keeps every printed row. The discrepancy is registered in ERRATA.

  • Covered

    ISO 8253-1:2010’s maximum permissible ambient levels of Clause 11 (Tables 2 and 4) with the earphone allowance of Table 3, the lowest hearing threshold level and the +5 dB relaxation, and the noise-floor margin of 11.1; the threshold rules of the ascending method (6.2.3.2 and 6.2.4.2, with its full and shortened series and the replay of a presentation sequence), the bracketing method (6.2.4.3), automatic recording (6.3.5) and sweep-frequency audiometry (7.5), each with its reliability test; the repeat at 1 kHz of 6.2.3.2 Step 3, the cross-hearing caution of 6.2.3.2 and the vibrotactile levels of 8.4; and the uncertainty budget of Annex A (A.3 to A.5), via hearing.check_audiometric_ambient_noise, hearing.ambient_noise_limits, hearing.ascending_method_threshold, hearing.bracketing_method_threshold, hearing.automatic_audiometry_threshold, hearing.sweep_audiometry_threshold, hearing.check_retest_agreement, hearing.audiogram_cautions and hearing.audiometric_uncertainty. Every cell of Tables 2 to 4, the levels of 8.4, the components of A.3.3 and A.3.4 and the budget of Table A.2 (its four components, = 4.9 dB and = 10 dB) are reproduced in the test suite and in the conformance report.

  • Covered

    ISO 8253-2:2009’s free, quasi-free and diffuse sound fields (5.2 to 5.4, with Table 1), the ambient limits of Clause 6 and Table 2, and the off-axis increases of Annex B (Table B.1), via hearing.check_free_sound_field, hearing.check_quasi_free_sound_field, hearing.check_diffuse_sound_field, hearing.check_audiometric_ambient_noise and hearing.incidence_correction. Every cell of Tables 2 and B.1 is reproduced in the test suite and in the conformance report, and so is the derivation of Table 2 from ISO 8253-1 Table 4. The diffuse-field check is the one ISO 4869-3 applies to the random-incidence field of its test site, on the hearing protectors page.

  • Not covered

    Nothing here presents a tone, drives an audiometer’s hardware or judges a subject. The preparation and instruction of the subject (Clause 5), the familiarization of 6.2.2, the masking procedures of 6.2.3.3 and 8.5, the screening test of Clause 9, the audiogram symbols of Clause 10 and the psycho-acoustic check of 11.2 are procedures a tester follows, and the calibration scheme of Clause 12 belongs to IEC 60645-1 and the ISO 389 series. The test signal characteristics of ISO 8253-2 Clause 4, its monaural and binaural testing (8.2, 8.3) and testing with a hearing aid (Clause 9) are likewise taken as given, and so are the lower ambient limits footnote b to its Table 2 asks for narrow-band noise, for which it prints no figure. Speech audiometry is ISO 8253-3, which the library does not implement. The reference zero the thresholds are levels above is on the hearing threshold page.

  • International Organization for Standardization. (2009). Acoustics — Audiometric test methods — Part 2: Sound field audiometry with pure-tone and narrow-band test signals (ISO 8253-2:2009). The free, diffuse and quasi-free sound fields of 5.2 to 5.4 with Table 1, the ambient limits of Clause 6 and Table 2, and the off-axis increases of Annex B, validated against every cell of Tables 2 and B.1.
  • International Organization for Standardization. (2010). Acoustics — Audiometric test methods — Part 1: Pure-tone air and bone conduction audiometry (ISO 8253-1:2010). The implemented standard: the maximum permissible ambient levels of Clause 11 with Tables 2 to 4, the threshold rules of 6.2.4, 6.3.5 and 7.5, and the uncertainty budget of Annex A, validated against every cell of Tables 2 to 4 and against Table A.2. Read in its European adoption BS EN ISO 8253-1:2010, which adopts it without modification.